Art Class Bookings & Events

Watercolour Studio – Summer Etchings with Gail Astbury @ Soanes Garden Room & The Rickyard

Course Overview 4 sessions 10.30 am- 2.30pm

Tuesday August 4th – 25th 2026

Full course - £150 or £45 per individually booked session

In this 4-week term, we will be delving a little deeper into the process and techniques of etching. The sessions are longer to allow for staggered use of the press and inking equipment. All the plexiglass plates, printing inks, paper, and press will be provided, and there will be a maximum of 18 places available.

The visual focus and inspiration for our drawings, watercolours and etchings will be the garden in bloom and the Clare Woods exhibition that will be showing in Pitzhanger from 29th July. Clare is a UK based contemporary painter, and printmaker who has recently been exploring the form and colour of plants and gardens with the physical touch and versatility of a sculptor. Born in 1972, Woods’ paintings are often discussed in relation to the work of British landscape painters of the 1930s and 40s, like John Piper, who we looked at this year. She uses photographs as her starting point, then uses both layering and reduction (erasure) processes to find the essence of things. We will start with the Soanes garden and the wider Walpole park to find our own colour and forms.


Week 1: Tuesday 4 th August

Soanes Garden Room 10.30 am- 2.30pm

Looking and observing closely the networks and shapes that we find in and around the garden.

For this first session we will be learning about Clare Woods, then like her, taking our own photographs, and sketching from the shapes and colours of the summer plants, fruits, and flowers. Then we will return to the garden room to make watercolours and/or collages inspired by Woods multi layered techniques.

We will also make drawings that can be used to transfer to the etching plates ready for the following week

This image is a collaged work on paper by Clare Woods


Week 2: Tuesday 11th August

The Rickyard 10.30 am- 2.30pm

Working from your own photographs and paintings from week one, we will create a drypoint print.

To warm up, you will have a mini plexiglass and a range of needles to practice mark making. Then you will get an A5 plexiglass to etch your chosen image.

A test print is made with newsprint to check the depth of lines the plate is inked up to make an edition of up to 4 A4 prints that you can add your own watercolour enhancements to whilst still damp.


Week 3 & 4: Tuesday, 18th and 25th

The Rickyard 10.30 am- 2.30pm

We will continue to explore drypoint etching techniques by adding the use of coloured inks.

This can be done by:

Rolling a range of different colours onto the plate using warm and cool colour palettes. These can then be hand tinted as before. To maintain some lighter areas, reduction techniques can be used where you ink up the plate, then wipe away shapes to find lighter areas within the darker tones as in the example here.

You can experiment with a new plate and again make editions of up to 4 each week.


Materials to bring:

Supplied:

  • Drawing boards

  • Paper

  • Waterpots

  • Masking tape

What you need to bring:

  • Watercolours

  • Brushes

  • Pencil for sketching

Courses take place at:

Soane’s Garden Room,
Pitzhanger Manor & Gallery,

Ealing Green,

London,

W5 5EQ

 

For information on previous classes click here

FAQs

Any other questions? - Let me know below!